by Sharon Olds
The phlox in the jar is softening,
from the sphere of it a blossom flutters,
and the whole sagging thing makes me think
of my mother's flesh, when she was elderly, and it was
wilting, keeping its prettiness
in its old-fangled gentleness.
It's as if I'm falling in love, again,
with my mother, through the gallowsglass of my
own oncoming elderliness, as if,
now that she has been gone from the earth
as many years as a witch's familiar
has lives, I can catch glimpses of my mother, at
moments when she was alone with herself, and would
pick up her pen, and her Latinate
vocabulary, and describe what it
was like, on their last cruise, when she rose,
by invitation, from the captain's table,
and stood beside the black, grand
Steinway, in the open ocean,
and sang. I do not need a picture to
remind me of the look on my mom's
face, when she sang—extreme yearning,
a yearning out at the edge of what was
socially acceptable
on a ship like that, and you could also see
how happy her face was, to be looked at,
and you could see her listening to her own voice,
to hear if it started to go flat, or anything
she needed to do to get the music
to its hearers intact as itself, I am falling,
and I do not feel that there are rocks, below,
I think I may go on falling for my mother after
my death—or not falling but orbiting,
with her, and maybe we'll take turns
who is the moon, and who is the earth.
